2篇
您的检索式：作者名="Frans Parthesius"
|
|
|
题名
|
作者
|
年代
|
出处
|
被引量
|
| 1 | 台北艺术中心显示文摘正近年来,世界各地的演艺中心数目渐增,但不知何故,这些演艺中心似乎达成一种共识,呈现出雷同的空间组合:一座约2000席的大型演艺厅和一个1500席的中型剧院,再加上一个黑盒子剧场。标志性的外形,饰以典型19世纪做法的保守内部剧场布局,以及见证社会阶级观念的包厢。纵然剧院最基本的构造元素如舞台、镜框式剧场和观众席等已有三千多年的历史,但我们仍不应以此为借口,让现代剧场建筑的创新发展停滞不前。 | Yannis Chan Hin-Yeung Cheung Jim Dodson Inge Goudsmit Alasdair Graham Vincent Kersten Chiaju Lin Vivien Liu Kai Sun Luk Kevin Mak Slobodan Radoman Roberto Requejo Saul Smeding Elaine Tsui Viviano Villarreal Casey Wang Leonie Wenz Frans Parthesius Iwan Baan | 2012 | 建筑技艺2012，，4： | 0 |
| 2 | COMING FULL CIRCLE The Transformation of Columbia Country Club Overthe Years显示文摘Project description:Comprised of multiple buildings constructed on a 48,000-square-meter area over the last century;Columbia Circle(formerly known as Columbia Country Club)was once the main hangout spot for Shanghai's American expats during the 1920s and 30s,and later became the research campus of the Shanghai Institute of Biological Products.Fast-forward to 2018,and Columbia Circle is now a mixed-use complex that houses a vibrant roster of restaurants,bars,cafes,re tailers,creative spaces and office buildings within the facade of the original structures.Here's a brief history of the compound. | Dominic Ngai Frans Parthesius | 2018 | 城市漫步(上海版、英文)2018，，8： | 0 |
您所在的机构暂未开通此部分的功能，请联系管理员